A cultural history of tarot from entertainment to esotericism review guide?

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⁉️ A cultural history of tarot from entertainment to esotericism review?

A Cultural History of Tarot: From Entertainment to Esotericism. The enigmatic and richly illustrative tarot deck reveals a host of strange and iconic mages, such as The Tower, The Wheel of Fortune, The Hanged Man and The Fool: over which loom the terrifying figures of Death and The Devil.

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⁉️ A cultural history of tarot from entertainment to esotericism review 2017?

A Cultural History of Tarot: From Entertainment to Esotericism. The enigmatic and richly illustrative tarot deck reveals a host of strange and iconic mages, such as The Tower, The Wheel of Fortune, The Hanged Man and The Fool: over which loom the terrifying figures of Death and The Devil.

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⁉️ A cultural history of tarot from entertainment to esotericism review 2020?

A Cultural History of Tarot is deeply researched, erudite, and highly useful to those interested in the history of tarot. It is also very much an academic work (it seems to be a reworked doctoral dissertation), and might prove a bit of a slog for some readers.

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The enigmatic and richly illustrative tarot deck reveals a host of strange and iconic mages, such as The Tower, The Wheel of Fortune, The Hanged Man and The Fool: over which loom the terrifying figures of Death and The Devil. The 21 numbered playing cards of tarot have always exerted strong fascination, way beyond their original purpose, and the multiple resonances of the deck are ubiquitous.

A Cultural History of Tarot: From Entertainment to Esotericism. The enigmatic and richly illustrative tarot deck reveals a host of strange and iconic mages, such as The Tower, The Wheel of Fortune, The Hanged Man and The Fool: over which loom the terrifying figures of Death and The Devil. The 21 numbered playing cards of tarot have always ...

A Cultural History of Tarot is deeply researched, erudite, and highly useful to those interested in the history of tarot. It is also very much an academic work (it seems to be a reworked doctoral dissertation), and might prove a bit of a slog for some readers.

In this way, we A Cultural History Of Tarot: From Entertainment To Esotericism Helen Farley can work towards a strong relationship. For our trusted and permanent customers, we provide them A Cultural History Of Tarot: From Entertainment To Esotericism Helen Farley all time 25% discount on their every order.

A Cultural History of Tarot makes a welcome and valuable contribution to the body of recent scholarship on the history of esotericism. More than that, it provides a roadmap to show how scholars of art and culture can engage meaningfully with the fascinating esoteric strands of Europe's past .

A Cultural History of Tarot makes a welcome and valuable contribution to the body of recent scholarship on the history of esotericism. More than that, it provides a roadmap to show how scholars of art and culture can engage meaningfully with the fascinating esoteric strands of Europe's past.' --Christina Oakley Harrington, Proprietor, Treadwell's Bookshop, London

Yet, as the author shows, originally the tarot were used as recreational playing cards by the Italian nobility in the Renaissance. It was only much later, in the 18th and 19th centuries, that the deck became associated with esotericism before evolving finally into a diagnostic tool for mind, body and spirit.

In 1791, Jean-Baptiste Alliette, a French occultist, released the first Tarot deck designed specifically for divinatory purposes, rather than as a parlor game or entertainment. A few years earlier, he had responded to de Gebelin’s work with a treatise of his own, a book explaining how one could use the Tarot for divination.

The Tarot can be seen as an amalgam of different cultures and traditions. There are obvious Christian and Hebrew symbols printed on the cards and one can even trace Muslim and Hindu references. It would be safe to presume that the Tarot cards were designed to be a unifying concept for the major religions of the Middle Ages, a tool that substitutes religion, including all and excluding none of them.

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